“There was an idea…”

Said idea was different to almost every version of the big screen superhero seen previously. Rather than each costumed hero existing in their own sealed-off vivariums, what if they could all share one interconnected universe containing a single ever-evolving and expansive story?

Once the idea gained traction, billions of dollars, and many “phases” of franchise continuity, the Marvel Cinematic Universe (MCU) became the envy of every studio with a lucrative intellectual property to siphon and thus many attempts were made to replicate the success of the “Marvel Formula”.

Much like the James Bond series in the decades before it, the MCU is primarily a producer-led franchise, the ultimate mastermind behind the project being Marvel Studios president Kevin Feige, though distinct directors like Jon Favreau, Joss Whedon and Taika Waititi have certainly left their mark on their respective entries in the ongoing series.

What keeps us (and wider box office audiences) coming back, aside from the ever-increasing levels of superhero spectacle and long-form storytelling borrowing liberally from 80-plus years of comic books, is the time you’re afforded to grow to love the characters and their relationships with each other, especially in the ambitious team-up Avengers movies.

In this edition of Ranked we at The Film Magazine are assessing every entry in the Marvel Cinematic Universe, and because fans have very different opinions on the best, the worst and everything in between regarding this series, we’ve attempted to find a balance between average critical consensus and general audience reception, as well as genre innovation and the lasting impact on popular culture, to order all of them definitively from worst to best.

Ladies and gentlemen, for your consideration… Every MCU Marvel Cinematic Universe Movie Ranked.

Follow @thefilmagazine on X (Twitter).

33. Ant-Man and the Wasp: Quantumania (2023)

“A guy dressed like a bee tried to kill me when I was six. I’ve never had a normal life.”

Ant-Man and the Wasp: Quantumania Review

The Ant-Man films are probably the most inconstant sub-series in the MCU, quality wise, but because the final chapter of their trilogy tries to go both big and small, it well and truly overreaches itself.

Pitting the Lang/Van Dyne family against Kang the Conqueror in the Quantum Realm, force of nature Jonathan Majors playing a fascinating villain isn’t quite enough to save Peyton Reed’s threequel from being just an eye-catching jumble of mismatched, tonally confusing ideas.

For Kang’s first, less maniacal appearance and the start of this whole Multiverse Saga, make sure to watch Season 1 of ‘Loki’.

32. Eternals (2021)

“We have loved these people since the day we arrived. When you love something, you protect it.”

Eternals Review

Chloé Zhao (Nomadland) is a great director, no doubt, but she was just not a good fit for the MCU in this story of space gods guiding humanity’s progress. Considering the usually grounded and singular vision of her work, this was a particularly crushing disappointment for most audiences.

The ambition and epic millennia-spanning scope of Eternals sadly did not pay off in this jarring, misjudged slog of a final product that couldn’t even be saved by a stellar and diverse cast. 

31. The Marvels (2023)

“Listen to me, you are chosen for a greater purpose. So you must go. But I will never let you go.”

The Marvels Review

The Marvels smartly builds a lot of its appeal around its central team-up of Carol Danvers, Monica Rambeau and Kamala Khan as their power usage causes them to swap places across the universe, but their found family warmth and oodles of charisma can’t overcome all the film’s flaws.

This needed more purposeful storytelling, a villain that doesn’t feel like a retread of what came before and more direct confrontation of the darker implications of the story. The musical elements will likely make an already decisive movie more so, but the MCU overall could do with some more audacious imagery like what Nia DaCosta does with alien cats.

Watching ‘Wandavision’ and ‘Ms Marvel’ through beforehand will certainly help you connect with two of the three leads that bit quicker.

30. Thor: Love and Thunder (2022)

“Whosoever holds these weapons, and believes in getting home, if they be true of heart is therefore worthy, and shall possess… for limited time only, the power… of Thor!”

Thor: Love and Thunder Review

Taika Waititi is the kind of distinct voice that gave the MCU a jolt in the arm when it was most needed, and he was vital in reinvigorating the Thor series, but the tonal balance and technical polish certainly felt off in 2022 release Thor: Love and Thunder.

Good performances from Chris Hemsworth, Natalie Portman and Christian Bale, and some memorable set pieces aside, Thor’s latest adventure battling a god-killer with his now superpowered ex-girlfriend Jane Foster at his side feels like too many mismatched stories smashed together.

Recommended for you: Taika Waititi Films Ranked

29. Thor: The Dark World (2013)

“One son who wanted the throne too much, and other who will not take it. Is this my legacy?”

The God of Thunder’s third film appearance tries to live up to its title with a story of dark elves trying to snuff out all light in the universe. Sadly, a late change in director – Alan Taylor taking over from would-be Wonder Woman director Patty Jenkins – and extensive Loki-centric reshoots didn’t help an already disjointed film feel any less so.

Thor’s dynamic with his Earthbound friends is still funny and more Loki (shoehorned in or not) is always a good thing with Tom Hiddleston in the role, but the storytelling is inconsistent at best and Christopher Eccleston under heavy prosthetics as Malekith may be the most boring villain in the MCU so far.

28. Iron Man 2 (2010)

“The suit and I are one. To turn over the Iron Man suit would be to turn over myself, which is tantamount to indentured servitude or prostitution, depending on what state you’re in.”

The MCU’s first direct sequel went bigger and darker with Robert Downey Jr’s Tony Stark fighting a vengeful Russian inventor, a rival industrialist and potentially fatal health problems. Unfortunately, this ended up being a much less focussed, overblown and not all that compelling movie.

Scarlet Johansson makes her debut as Black Widow here, though she’s just a generic sexy spy at this point and not yet given the dimensions other writers would later bestow. The action is decent enough, but you wouldn’t lose out on much of you skipped over Iron Man 2 on your next MCU rewatch.

27. The Incredible Hulk (2008)

“You know, I know a few techniques that could help you manage that anger effectively.”

Lacking the clear intentions and boldness of many subsequent MCU movies, The Incredible Hulk is stylistically old-fashioned but works slightly better if you view this as a big-budget tribute to sympathetic monster movies (this one was made by Universal, after all).

A movie filled with false starts and one-off appearances (most obviously Edward Norton’s Bruce Banner would be recast with Mark Ruffalo for The Avengers in 2012), very little was carried over to the wider franchise right up until Tim Roth’s reappearance in ‘She-Hulk’ fourteen years later.

This is generally uninspiring stuff, with its most interesting man-on-the-run elements cribbed from the 1970s ‘Incredible Hulk’ TV show.

Recommended for you: Where to Start with Universal Classic Monsters

Even so, 2022 has proven to be the first non-pandemic year since 2017 to not enter a comic book adaptation into the billion dollar movie club, and has reportedly been tumultuous for the genre behind the scenes at almost every studio. As we press into 2023, Marvel continues its pursuit of longer form storytelling on its multitude of direct-to-streaming series and has come under criticism for building a cinematic universe in which everything must get bigger and bolder to remain satisfying to those who’ve already seen it all, while Sony succumbed to an internet meme to re-release Morbius without understanding that they were the butt of a joke, and DC most publicly of all faced scrutiny for late-in-the-year decisions regarding the future of the DC Extended Universe (now to be without Henry Cavill as Superman only weeks after his return) and a public falling out with the world’s highest paid actor, Dwayne “The Rock” Johnson, regarding his long-gestated DC film Black Adam.

Following 2021, a year of memorable debuts and the ultimate in superhero movie fan service, the comic book genre was forced to diversify in terms of its styles of storytelling in 2022, and as such offered everything from a David Fincher-tinged detective thriller to a horror master’s take on a superhero dealing with issues of the mind, from shallow children’s television-esque nonsense to deep ruminations on grief.

In this edition of Ranked, we at The Film Magazine are comparing each of the 9 major superhero movie releases (not including direct-to-VoD features like Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse) in terms of their quality, their impact on our culture, their importance to the genre, and their attempts at evolving comic book adaptations beyond their previous limitations. These are the 2022 Comic Book Movies Ranked.

Follow @thefilmagazine on Twitter.

9. Black Adam

For a passion project from a former professional wrestler who earned his career and reputation for being one of the most charismatic men on the planet, it was utterly nonsensical that Dwayne Johnson would play the role of a superhero completely absent of personality. The man formerly known as The Rock, who’d regularly brag about holding the “millions… and millions” in the palm of his hand, was essentially playing a narrative trigger rather than a character, a floating and invincible agent of violence who’d be better named as Mr. Anti-Charisma than the titular Black Adam; his self-serious (but not in a funny Peacemaker way), angsty and hyper-aggressive presentation proving a vacuumous presence that sucked the life out of what was already an uninspired mess of a movie.

With visuals that look like they were taken directly from a mid-2000s historical fantasy film, Black Adam was surpassed visually by even The Rock’s poorly presented Hercules (2014) and the black and blue drabness of fellow 2022 comic book release Morbius. Worse still, Black Adam himself was barely present for large periods, his role in the film taking a backseat throughout the 2nd act as a lengthy list of side characters went in their own directions, each equally as lacking in any kind of truthful essence.

With a narrative filled with conveniences and utterly illogical character decisions, a yellow hue over the entire presentation, a backstory twist that is among the most poorly presented in the history of cinema, and enough poorly generated CG-scapes to take even the most hardened of superhero moviegoers out of any given moment, Black Adam was among the worst superhero films of the decade and must certainly be considered the worst comic book film of 2022.

Recommended for you: DC Extended Universe Movies Ranked

Black Panther: Wakanda Forever (2022)
Director: Ryan Coogler
Screenwriters: Ryan Coogler, Joe Robert Cole
Starring: Letitia Wright, Lupita Nyong’o, Danai Gurira, Angela Bassett, Tenoch Huerta Mejía, Winston Duke, Florence Kasumba, Dominique Thorne, Michaela Coel, Martin Freeman

On 28 August 2020, the world woke to the heartbreaking news that Chadwick Boseman had passed away. He was only 43 and had been battling cancer in secret for some time. This left Marvel Studios and Black Panther director Ryan Coogler with an unthinkable dilemma: to recast, or to acknowledge the in-universe death of one of your most prominent lead characters? They went with the far the more respectful second option, and so the sequel to one of the biggest hits in the Marvel Cinematic Universe had the added challenge of paying tribute to its dearly departed star in addition to telling a new and expansive story.

A year after the untimely death of her brother King T’Challa, Shuri (Letitia Wright) has thrown herself into her work to avoid confronting her grief, leaving her mother Queen Ramonda (Angela Bassett) to represent Wakanda on the global stage as ruler, the title of Black Panther vacant. When a new threat emerges in the shape of Namor (Tenoch Huerta Mejía), the warrior-king of the powerful aquatic nation of Talokan, Shuri must rally her allies and embrace her destiny if Wakanda and the nations beyond it stand any hope of survival.

The world has changed. The MCU may not have experienced a Coronavirus pandemic, but half of it was snapped out of existence for five years by intergalactic tyrant Thanos. Friends and loved ones were torn apart, including Ramonda who lost both her children to “The Blip” and was then reunited with them briefly after the events of Avengers: Endgame only to lose her son all over again to human mortality. In the absence of heirs to the throne, hungry eyes have been on Wakanda, and UN member states have been performing incursions for their precious vibranium metal deposits. Everything comes to a head when the previously unknown Talokanil people attack the surface world to protect their own stores of vibranium, drawing out the isolationist Wakandans to take action of their own. 

Tragic circumstances have promoted Black Panther’s memorable supporting cast to main players, and everyone in the ensemble is given new depths and plenty of interesting things to do. One of the best things about the first Black Panther is how it saw T’Challa relying on a close support network of family and friends to effectively perform his role as superhero, and it is these same loved ones – Shuri, Ramonda, love of T’Challa’s life Nakia (Lupita Nyong’o), and loyal bodyguard Okoye (Danai Gurira) – that are tasked here with continuing his legacy as best they can.

When it comes down to it, for all its spectacular, multi-tiered action and dazzling portrayals of hidden futurist worlds inspired by African and Mesoamerican cultures (much respect to returning production designer Hannah Beachler here), this is a film about legacy and a mother’s need to give her children a future. Namor’s origins are told through the lens of his mother’s experiences in 16th Century Mexico, and in one of the film’s standout scenes a particularly powerful, distraught Angela Bassett takes the floor in her throne room to illuminate the grief she has been through. The script from Coogler and Joe Robert Cole can at times be too tell-not-show, but in this moment Ramonda’s assembled audience need to be told in no uncertain terms.

Namor just shouldn’t work in live-action. Amazingly though, in the capable hands of a charismatic Huerta and Marvel’s digital artists (a couple of dodgy CG transition shots aside), this wing-footed merman is actually made to look pretty cool, and scary. Dubbed K’uk’ulkan by his people after the Mayan serpent deity, Namor commands a near-invulnerable army as well as the ocean itself, and thus every creature that inhabits it becomes a weapon in his hands. In a particularly striking image lifted straight from the “Avengers vs X-Men” comic storyline, Wakanda’s capital city feels the full force of Namor’s wrath, and like the best antagonists in the MCU such as Black Panther‘s Killmonger, he is both terrifying and fully understandable in his worldview. Why should the colonialist nations of the world feel they have the right to the resources of two small but advanced nations who have kept to themselves for centuries?

The film is a long one, at just over 2 hours 40 minutes it is the second-longest in the MCU after Phase 3 finale Endgame. While it could possibly do with a little tightening here and there, and less “Lord of the Rings ending syndrome” in its final few minutes, there is a sizeable ensemble of characters to serve here, not to mention having to close out Phase 4 of the MCU, set up new characters who will have large parts to play going forward (like teen genius Riri Williams/Ironheart, played by Dominque Thorne), and of course pay tribute to Chadwick Boseman – it’s difficult to see where the cuts could come.

The main problem aside from having to balance respect for an unexpectedly departed star with moving a franchise and its characters forward is that the slightly unwieldy script is very stop-start-stop-start. The world-building could always be more elegant, the story’s shift of gears less noticeable, but the character work is on point and there are plenty of individual moments in the film (from the intimate to the epic) that will stay with you.

Wakanda Forever has the unenviable task of eulogising the dearly departed and carrying a long-running franchise on the road to its future. Chadwick Boseman tragically died before his time and so this film does the rare thing of showing that superheroes might be stronger, faster and more powerful than us, but most are are not immune to illness and to grief. Ryan Coogler’s film does about as well as you might reasonably expect at balancing many disparate elements, and while this undoubtedly ended up as a very different film to the one it started as, Wakanda Forever makes a heartfelt connection and delivers memorable action in spades as well as some of the best performances in the entire MCU.

19/24

Recommended for you: Every MCU Marvel Cinematic Universe Movie Ranked

While challenges remain ongoing for the film industry and so much has yet to be written regarding the future of exhibition amidst our global efforts against the pandemic, the slate of movies due for release in 2022 seems just as full and exciting as the last few months of 2021. Amongst the most hotly anticipated releases sit blockbuster heavyweights from Marvel and DC, delayed should-be summer hits, some brand new tear-jerking animated films from the world’s most successful studios, a spate of direct-to-streaming offerings, and a handful of films that could take the festival and awards circuits by storm.

In this, The Film Magazine’s 2022 Big Movie Preview, we are looking at the most exciting films due for release in 2022, categorising each by defining factors such as their genres and budgets. Amongst the films listed are those we have trailers for and know lots about, as well as those with little more than a director and some actors attached.

Follow @thefilmagazine on Twitter.

Superhero Specials

The impact of superhero cinema on the big studios’ release slates is incomparable, its importance to the exhibition industry unrivalled, its cultural imprint so significant that the realm of fantasy-action hybrids is now going by its own genred term: superhero films (or comic book movies).

In 2022, DC are following up the audience successes of Zack Snyder’s Justice League and The Suicide Squad with more DCEU releases and another entry into their darker timeline of more adult-focused superhero stories, while Marvel are doubling down on the multiverse idea that proved popular in No Way Home and look set to reimagine some of their franchise stalwarts. Here are the superhero movies to be expectant of in 2022:

The Batman (rel. 4 March 2022) – From the director of Let Me In and the last two Planet of the Apes films (Dawn and Rise) comes a dark reimagining of Batman trying to unravel the truth behind Riddler’s games. With a cast featuring Robert Pattinson, Zoë Kravitz, Paul Dano, Colin Farrell, Andy Serkis, Jeffrey Wright, Barry Keoghan, Peter Sarsgaard and John Turturro, this could be an early-year mega-hit not too dissimilar to Deadpool or the late-year DC billion-dollar movie Joker.

Doctor Strange in the Multiverse of Madness (rel. 6 May 2022) – The long-awaited sequel to Marvel’s Benedict Cumberbatch-led superhero offering Doctor Strange sees the multiverse introduced in the latest Spider-Man movie presented through the lens of original Spider-Man director and cult hero Sam Raimi. With a powerful premise of Strange versus Strange teased in the trailer, it seems that one of Marvel’s Phase 4 leaders could be another MCU box office smash.

Spider-Man: Across the Spider-Verse – Part One (rel. 7 October 2022) – The original Spider-Man: Into the Spider-Verse was a genre-defining hit from Sony Pictures Animation and was probably one of the greatest superhero films ever made. This October, we get its sequel, and this time follow central hero Miles Morales across different universes in his own multiverse of madness, the same quality of animation and same creative team steering the ship.

Some more to add to your watchlists (use Letterboxd, we do: /thefilmagazine):

+ Morbius (rel. 28 January 2022) – Jared Leto stars in the Spider-Man universe film from the director of Life and Child 44.

+ Thor: Love and Thunder (rel. 8 July 2022) – Taika Waititi returns to the director’s chair following Thor: Ragnarok in this upcoming MCU event movie starring the usual suspects and a returning Natalie Portman.

+ Black Adam (rel. 29 July 2022) – Dwayne Johnson stars in this DCEU anti-hero tale from Orphan and Non-Stop director Jaume Collet-Serra.

+ The Flash (rel. 4 November 2022) – It director Andy Muschietti brings Ezra Miller’s Snyderverse version of The Flash to life in another of the year’s multiverse-hopping superhero entries, with an appearance by Michael Keaton as Batman likely to be a late-year talking point.

+ Black Panther: Wakanda Forever (rel. 11 November 2022) – Marvel look set to redirect their Black Panther franchise within a franchise without lead Chadwick Boseman.

+ Aquaman and The Lost Kingdom (rel. 16 December 2022) – James Wan follows up his billion dollar hit Aquaman with its sequel starring Jason Momoa, Yahya Abdul-Mateen II, Nicole Kidman and a slew of big names.

Anticipated Awards Contenders

Each and every year, the festival circuit propels some noteworthy releases towards awards season, and while it is often difficult to predict which films will be hits and which won’t, we’ve looked at some of the upcoming films from respected and award-winning filmmakers to bring to you these must-adds to your watchlists.

Untitled Elvis Presley Project (rel. 3 June 2022) – Baz Luhrmann returns to the silver screen with a summertime Elvis Presley film that is set to star Austin Butler as The King of Rock and Roll and Tom Hanks as Colonel Tom Parker. While little is known about the film at this time, including its title, anticipation is high for a new film from the director of Romeo + Juliet and Moulin Rouge!.

Babylon (rel. 25 December 2022) – Whiplash and La La Land director Damien Chazelle takes on the golden era of Hollywood in this period drama with an all-star cast. Margot Robbie will play Clara Bow, one of the few silent era actors to successfully transition into the talkies, and she will be supported by a cast including Brad Pitt, Tobey Maguire, Olivia Wilde, Kathryn Waterston, Samara Weaving, Flea and more.

Blonde (rel. 2022) – New Zealand-born director Andrew Dominik offers his first feature drama for a decade with Blonde, a look at the inner workings of the life of legendary Hollywood actress Marilyn Monroe. With the director’s previous films Killing Them Softly and The Assassination of Jesse James being such critical hits, and the cast boasting Ana De Armas in the lead role, this looks set to be a certain awards contender in at least one of the major categories at the 2023 Oscars.

Some more to add to your watchlists (use Letterboxd, we do: /thefilmagazine):

+ Thirteen Lives (rel. 15 April 2022) – Viggo Mortensen and Colin Farrell star in Ron Howard’s dramatisation of the harrowing real-life events that occurred in Thailand in 2018 when a group of children were trapped in a cave.

+ Untitled David O. Russell Project (rel. 4 November 2022) – American Hustle and Silver Linings Playbook director David O. Russell reunites with Christian Bale and Robert De Niro. Amongst the supporting cast are Anya Taylor-Joy, Mike Myers, Margot Robbie, John David Washington, Rami Malek, Zoe Saldana and Taylor Swift.

+ Untitled Bee Gees Biopic (rel. 4 November 2022) – Kenneth Branagh is following up his critical success Belfast with a biopic of famed Australian music group the Bee Gees, though details (including cast) are currently being kept under wraps.

+ I Wanna Dance with Somebody (rel. 23 December 2022) – Harriett director Kasi Lemmons aims to chronicle the life of late pop megastar Whitney Houston (Naomi Ackie) set for release in the height of awards season.

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